THE SCULPTURAL WORK OF THIS ARTIST GRADUATED FROM THE FACULTY OF ARTS OF UNIVERSIDAD DE CHILE AND AUTODIDACT PAINTER FOR MORE THAN TEN YEARS, LINKED IN HIS BEGINNINGS TO THE CULTURAL RESISTANCE MOVEMENTS TO THE DICTATORSHIP LIVED IN CHILE AFTER THE ARMY’S COUP D’ÉTAT, THAT SHOWS A RENEWED REASONIG POWER, OUTWARDLY KINETIC, DEEPLY LINKED TO THE POPULAR REALITY.
CONSIDERING CREATIONS LIKE THOSE MADE BY TINGELLI, CALDER, GABO, BROSSA AND THE CHILEANS MATILDE PEREZ, JUAN LUIS MARTINEZ, GONZALO DIAZ AS WELL, PASSING THROUGH THE ANTIPOETICAL STRUCTURES OF NICANOR PARRA, PIRACES PROPOSES AN IRONIC SPEECH THAT GATHERS FROM THE MARGINALITY THE INTERNATIONAL IKONS OF THE CONTEMPORARY ART, MAKE THEM TO PASS BY THE AUTHENTIC AND PRECARIOUS SIGHT OF THE MARGINAL, CREATING STRANGENESS IN DYSLEXIC AN RHETORICAL BODIES THAT BEAR ABSURD PHRASES IN OBSOLETE LANGUAGES OR LOCAL CODES PRODUCED IN THE INTERCULTURAL IDEA, REFERED TO ITS RACIALLY MIXED CONDITION, AS A SYMPTOM OF GLOBALITY .
FROM THERE ARE FOUNDED AS POLITICAL SPEECHES THAT CAST DOUBT ON THE SENSE AND THE SYSTEM OF ART SHELTERED AMONG THE INSTITUTION AND THE MARKET
